Listed below are the Academy Award nominations and winners for the year 1947. The
symbol appears next to the winner in each category. Click on the name of a film, person or song in the list to display more information about that film, person or song. Or, click on a year in the column on the right to display the nominations and winners from that year.
The Bishop’s Wife, Samuel Goldwyn Productions; RKO Radio.
Crossfire, RKO Radio.
Great Expectations, J. Arthur Rank-Cineguild; Universal-International (British).
Ronald Colman in
A Double Life, Kanin Productions; Universal-International.
John Garfield in
Body and Soul, Enterprise Productions; United Artists.
Susan Hayward in
Smash Up—The Story of a Woman, Walter Wanger; Universal-International.
Ethel Barrymore in
The Paradine Case, Vanguard Films; Selznick Releasing Organization (SRO).
Marjorie Main in
The Egg and I, Universal-International.
The Bishop’s Wife, Samuel Goldwyn Productions; RKO Radio.
Henry Koster.
A Double Life, Kanin Productions; Universal-International.
George Cukor.
Great Expectations, J. Arthur Rank-Cineguild; Universal-International (British).
David Lean.
(Black-and-White)
Great Expectations, J. Arthur Rank-Cineguild; Universal-International (British). Art direction by
John Bryan; set decoration by
Wilfred Shingleton.
(Color)
Black Narcissus, J. Arthur Rank-Archers; Universal-International (British). Art direction by
Alfred Junge; set decoration by
Alfred Junge.
Life with Father, Warner Bros. Art direction by
Robert M. Haas; set decoration by
George James Hopkins.
(Black-and-White)
Great Expectations, J. Arthur Rank-Cineguild; Universal-International (British).
Guy Green.
(Color)
Black Narcissus, J. Arthur Rank-Archers; Universal-International (British).
Jack Cardiff.
(Feature)
Journey into Medicine, United States Department of State Office of Information and Educational Exchange.
The World Is Rich, British Information Services.
Paul Rotha, Producer.
(Short Subject)
First Steps, United Nations Division of Films and Visual Information (Canada).
Passport to Nowhere, RKO Pathe. [This Is America Series]
Frederic Ullman, Jr., Producer.
School in the Mailbox, Australian News & Information Bureau (Australia).
The Bishop’s Wife, Samuel Goldwyn Productions; RKO Radio.
Monica Collingwood.
Body and Soul, Enterprise Productions; United Artists.
Francis Lyon and
Robert Parrish.
Odd Man Out, J. Arthur Rank-Two Cities Films; Universal-International (British).
Fergus McDonnell.
(Music Score of a Dramatic or Comedy Picture)
The Bishop’s Wife, Samuel Goldwyn Productions; RKO Radio.
Hugo Friedhofer.
A Double Life, Kanin Productions; Universal-International.
Dr. Miklos Rozsa.
(Scoring of a Musical Picture)
Fiesta, Metro-Goldwyn-Mayer.
Johnny Green.
Road to Rio, Bing Crosby Enterprises and Hope Enterprises; Paramount.
Robert Emmett Dolan.
(Song)
You Do from
Mother Wore Tights, 20th Century-Fox. Music by
Josef Myrow; lyrics by
Mack Gordon.
Zip-a-Dee-Doo-Dah from
Song of the South, Walt Disney Productions; RKO Radio. Music by
Allie Wrubel; lyrics by
Ray Gilbert.
(Cartoons)
Chip an’ Dale, Walt Disney Productions; RKO Radio. [Donald Duck Series]
Walt Disney, Producer.
Dr. Jekyll and Mr. Mouse, Metro-Goldwyn-Mayer. [Tom & Jerry Series]
Frederick Quimby, Producer.
Pluto’s Blue Note, Walt Disney Productions; RKO Radio. [Pluto Series]
Walt Disney, Producer.
Tubby the Tuba, Paramount. [George Pal Puppetoon Series]
George Pal, Producer.
Tweetie Pie, Warner Bros. [Merrie Melodies Series]
Edward Selzer, Producer.
(One-reel)
Brooklyn, U.S.A., Universal-International. [Variety View Series]
Thomas Mead, Producer.
Good-Bye Miss Turlock, Metro-Goldwyn-Mayer. [John Nesbitt Passing Parade Series]
Herbert Moulton, Producer.
Moon Rockets, Paramount. [Popular Science Series]
Jerry Fairbanks, Producer.
Now You See It, Metro-Goldwyn-Mayer. [Pete Smith Specialty Series]
Pete Smith, Producer.
So You Want to Be in Pictures, Warner Bros. [Joe McDoakes Series]
Gordon Hollingshead, Producer.
(Two-reel)
Champagne for Two, Paramount. [Musical Parade Featurette Series]
Harry Grey, Producer.
Climbing the Matterhorn, Monogram. [Color Series]
Irving Allen, Producer.
Fight of the Wild Stallions, Universal-International. [Featurette Series]
Thomas Mead, Producer.
Give Us the Earth, Metro-Goldwyn-Mayer. [Special Series]
Herbert Morgan, Producer.
A Voice Is Born: The Story of Niklos Gafni, Columbia. [Musical Featurette Series]
Ben Blake, Producer.
T-Men, Reliance Pictures; Eagle Lion.
Sound Service, Inc.,
Jack R. Whitney, Sound Director.
Green Dolphin Street, Metro-Goldwyn-Mayer. Special visual effects by
A. Arnold Gillespie and
Warren Newcombe; special audible effects by
Douglas Shearer and
Michael Steinore.
(Motion Picture Story)
(Original Screenplay)
Body and Soul, Enterprise Productions; United Artists.
Abraham Polonsky.
A Double Life, Kanin Productions; Universal-International.
Ruth Gordon and
Garson Kanin.
Monsieur Verdoux, The Chaplin Studios; United Artists.
Charles Chaplin.
(Screenplay)
Great Expectations, J. Arthur Rank-Cineguild; Universal-International (British).
David Lean,
Anthony Havelock-Allan and
Ronald Neame.

To
James Baskett for his able and heart-warming characterization of Uncle Remus, friend and story teller to the children of the world, in Walt Disney’s
Song of the South. [Statuette]

To
Bill and Coo, in which artistry and patience blended in a novel and entertaining use of the medium of motion pictures. [Plaque]

To
Colonel William N. Selig,
Albert E. Smith,
Thomas Armat, and
George K. Spoor (one of) the small group of pioneers whose belief in the new medium, and whose contributions to its development, blazed the trail along which the motion picture has progressed, in their lifetime, from obscurity to world-wide acclaim. [Statuette]
(Foreign Language Film)

To
Shoe-Shine – the high quality of this motion picture, brought to eloquent life in a country scarred by war, is proof to the world that the creative spirit can triumph over adversity. [Statuette]
(Class II)

To
C. C. Davis and
Electrical Research Products Division of Western Electric Company for the development and application of an improved film drive filter mechanism.

To
C. R. Daily, the
Paramount Studio Film Laboratory, the
Paramount Studio Still Department and the
Paramount Studio Engineering Department for the development and first practical application to motion picture and still photography of a method of increasing film speed as first suggested to the industry by E. I. duPont de Nemours & Company.
(Class III)

To
Nathan Levinson and the
Warner Bros. Studio Sound Department for the design and construction of a constant-speed sound editing machine.

To
Farciot Edouart,
C. R. Daily,
Hal Corl,
H. G. Cartwright, the
Paramount Studio Transparency Department and the
Paramount Studio Engineering Department for the first application of a special anti-solarizing glass to high-intensity background and spot arc projectors.

To
Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds.

To
Kurt Singer and the
RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band-elimination filter.

To
James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography.