Hal Pereira
| Born: | April 29, 1905 |
| Birth Place: | Chicago, Illinois |
| Died: | December 17, 1983 |
| Death Place: | Los Angeles, California |
| Cause: | undisclosed |
| Age at Death: | 78 years and 232 days |
| More Info: | Internet Movie Database (IMDb) |
(
= winner )
= winner )| 1952 |  Art Direction-Set Decoration (Black-and-White). Carrie, Paramount. Art direction by Hal Pereira and Roland Anderson; set decoration by Emile Kuri. |
| 1953 | Art Direction-Set Decoration (Black-and-White). Roman Holiday, Paramount. Hal Pereira and Walter Tyler. |
| 1954 | Art Direction-Set Decoration (Black-and-White). The Country Girl, Perlberg-Seaton Production; Paramount. Art direction by Hal Pereira and Roland Anderson; set decoration by Sam Comer and Grace Gregory. |
| 1954 | Art Direction-Set Decoration (Black-and-White). Sabrina, Paramount. Art direction by Hal Pereira and Walter Tyler; set decoration by Sam Comer and Ray Moyer. |
| 1954 | Art Direction-Set Decoration (Color). Red Garters, Paramount. Art direction by Hal Pereira and Roland Anderson; set decoration by Sam Comer and Ray Moyer. |
| 1955 | Art Direction-Set Decoration (Black-and-White). The Rose Tattoo, Hal Wallis Productions; Paramount. Art direction by Hal Pereira and Tambi Larsen; set decoration by Sam Comer and Arthur Krams. |
| 1955 | Art Direction-Set Decoration (Color). To Catch a Thief, Paramount. Art direction by Hal Pereira and Joseph McMillan Johnson; set decoration by Sam Comer and Arthur Krams. |
| 1956 | Art Direction-Set Decoration (Black-and-White). The Proud and Profane, Perlberg-Seaton Production; Paramount. Art direction by Hal Pereira and A. Earl Hedrick; set decoration by Samuel M. Comer and Frank R. McKelvy. |
| 1956 | Art Direction-Set Decoration (Color). The Ten Commandments, Motion Picture Associates, Inc.; Paramount. Art direction by Hal Pereira, Walter H. Tyler and Albert Nozaki; set decoration by Samuel M. Comer and Ray Moyer. |
| 1957 | Art Direction-Set Decoration. Funny Face, Paramount. Art direction by Hal Pereira and George W. Davis; set decoration by Sam Comer and Ray Moyer. |
| 1958 | Art Direction-Set Decoration. Vertigo, Alfred J. Hitchcock Productions, Inc.; Paramount. Art direction by Hal Pereira and Henry Bumstead; set decoration by Sam Comer and Frank McKelvy. |
| 1959 | Art Direction-Set Decoration (Black-and-White). Career, Hal Wallis Productions; Paramount. Art direction by Hal Pereira and Walter Tyler; set decoration by Sam Comer and Arthur Krams. |
| 1960 | Art Direction-Set Decoration (Black-and-White). Visit to a Small Planet, Hal Wallis Productions; Paramount. Art direction by Hal Pereira and Walter Tyler; set decoration by Sam Comer and Arthur Krams. |
| 1960 | Art Direction-Set Decoration (Color). It Started in Naples, Paramount and Capri Production; Paramount. Art direction by Hal Pereira and Roland Anderson; set decoration by Sam Comer and Arrigo Breschi. |
| 1961 | Art Direction-Set Decoration (Color). Breakfast at Tiffany’s, Jurow-Shepherd Production; Paramount. Art direction by Hal Pereira and Roland Anderson; set decoration by Sam Comer and Ray Moyer. |
| 1961 | Art Direction-Set Decoration (Color). Summer and Smoke, Hal Wallis Productions; Paramount. Art direction by Hal Pereira and Walter Tyler; set decoration by Sam Comer and Arthur Krams. |
| 1962 | Art Direction-Set Decoration (Black-and-White). The Pigeon That Took Rome, Llenroc Productions; Paramount. Art direction by Hal Pereira and Roland Anderson; set decoration by Sam Comer and Frank R. McKelvy. |
| 1963 | Art Direction-Set Decoration (Black-and-White). Hud, Salem-Dover Production; Paramount. Art direction by Hal Pereira and Tambi Larsen; set decoration by Sam Comer and Robert Benton. |
| 1963 | Art Direction-Set Decoration (Black-and-White). Love with the Proper Stranger, Boardwalk-Rona Production; Paramount. Art direction by Hal Pereira and Roland Anderson; set decoration by Sam Comer and Grace Gregory. |
| 1963 | Art Direction-Set Decoration (Color). Come Blow Your Horn, Essex-Tandem Enterprises Production; Paramount. Art direction by Hal Pereira and Roland Anderson; set decoration by Sam Comer and James Payne. |
| 1965 | Art Direction-Set Decoration (Black-and-White). The Slender Thread, Paramount. Art direction by Hal Pereira and Jack Poplin; set decoration by Robert Benton and Joseph Kish. |
| 1965 | Art Direction-Set Decoration (Black-and-White). The Spy Who Came In from the Cold, Salem Films, Ltd. Production; Paramount. (UK) Art direction by Hal Pereira, Tambi Larsen and Edward Marshall; set decoration by Josie MacAvin. |
| 1966 | Art Direction-Set Decoration (Color). The Oscar, Clarence Greene-Russell Rouse Production; Embassy Pictures Corporation. Art direction by Hal Pereira and Arthur Lonergan; set decoration by Robert Benton and James Payne. |
23 Nominations